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REQUIEM "THE HOLOCAUST"  


 

    1994-1995
    for Viola and Symphony Orchestra
      
 
 
  Roman KOFMAN, Ukrainian daily newspaper “The Day”, 9 October 2001
  I'm sure that the Holocaust Requeim has a great future. Boris Pigovat's composition is very sophisticated, but isn't flowery of the pretentious. It is simple but not primitive, it is frank and heartfelt, an outstanding work.
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Donald MAURICE  BYU USA, 2 March 2009
  I have to tell myself I can't cry, I got to keep playing...
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John BUTTON  The DOMINION POST,  NZ, 11 November 2008
  The Music is harrowing and tense, and very Russian in sound. Echoes of contemporary composers such as Denisov, Kanchelli and Gubaidulina can be heard, as well as the inexorable thread of Shostakovich in the Dies Irae, but the voice of the composer remains highly individual. Balancing the violence, anger and tension is the conciliatory beauty of the Lux Eterna that rounds out a work of deeply felt power.
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Howard Smith,  MV Daily, November 2008
  Using purely orchestral forces this 46-minute symphonic-concerto encompasses ear-splitting anguish, horror and confusion -- tolling tintinnabulations mark the outset of unspeakable atrocities while abject grief is heightened by sonorous lamentations of the solo viola; a role of unusually formidable demands.
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Garth WILSHERE,  Capital Times, NZ, December 2008
  Pigovat's music is evocative and distuibing in its depiction of the Holocaust. With styles reminiscent of other Russian composers, including the rich melancholy of Shostakovich the
compositional style is still distinctly Pigovat's own.
Intense and strongly assured it is a life-affirming piece that makes a telling statemen with subtlety.

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Donald MAURICE & Marc TADDEI,  Radio New Zealand, NZ, 6 November 2008
  Online Interview, Duration: ca. 16 minutes
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SONG OF THE SEA  


 
   
    2005
    Poem for Symphonic Wind Band
 
 
  Dennis L. JOHNSON, Past President, WASBE
  Artistic Director - World Projects, Washington DC
  Director of Bands and Orchestra Murray State University
  Boris Pigovat is a bright, fresh voice in the world of wind band composition.  His “Song of the Sea” is an original tone poem written for myself and the Murray State University Symphonic Wind Ensemble and was premiered in a special performance in Carnegie Hall on March 29 of 2005.  This dramatic work captures the beauty and majesty of the open sea as well as its darker and more ominous mood during a ferocious storm.  The work carries the listener on a journey through calm and tempest and ends with a grandios climax that rivals any of the great programmatic composers of this or any era.  The wind ensemble and I thoroughly enjoyed the preparation and performance of this masterful work as did the exhilarated crowd in Carnegie Hall that called us back three times.  “Song of the Sea” deserves to be on all collegiate and (technically proficient) high school band programs throughout the world.  It is a masterpiece for wind band.
 
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